How you can use this image

This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).

Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.

The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.

Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.

Buy a print or image licence

You can purchase this reproduction

If you have any products in your basket we recommend that you complete your purchase from Art UK before you leave our site to avoid losing your purchases.

Order a print

Notes

Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.

This portrait was bequeathed to the National Gallery in 1837. Time hasn‘t been kind to it. Painted in oil on an oak panel, the background in particular seems to have suffered damage or been painted over at some point.

We don’t know who the sitter is or who painted the picture, but is thought perhaps to be a copy of a portrait by an Amsterdam artist of about 1640. The man’s costume and hairstyle – the lace falling collar, long curls, moustache and tuft of beard beneath his chin – were in fashion at about this time. His fleshy face and direct gaze also suggest he is a man of some standing in his community.