River and Hills

Image credit: The National Gallery, London

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A man stands on the winding path beneath the dark, forbidding cliffs. He gazes out across the river, his white cap, coat and backpack lifting the bleakness of the cliffs behind him. High above him, the sun catches a strange construction on the cliff top and crosses the gap between the two halves of the picture, to the mellow glow of the far hillside. On the far bank of the river, poplar trees grow in grey, gravelly soil, their reflections perfect in the still water.

Harpignies met Camille Corot in Rome and became his friend and follower. On his return to France, he put aside the gritty, modernist subjects of the Barbizon artists he had spent some time with. He chose to follow Corot’s path, using the classical style of landscape painting associated with Rome, with a smooth, delicate technique and people and nature in harmony.

The National Gallery, London

London

Title

River and Hills

Date

about 1850-60

Medium

Oil on canvas

Measurements

H 27.3 x W 44.5 cm

Accession number

NG4582

Acquisition method

Bequeathed by Hans Velten to the Tate Gallery, 1931; transferred, 1956

Work type

Painting

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The National Gallery, London

Trafalgar Square, London, Greater London WC2N 5DN England

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