Painter and stage designer, born in Kensington, west London, her father, Arnold Palmer, being related to the Huntley and Palmer biscuit firm. Through his friend Kenneth Clark, Palmer became editor of the four Pilgrim Trust Recording Britain books, 1946–9, to which notable artists contributed. He had edited and directed The New Weekly from 1913, and was a patrician, liberal Georgian living at The Grange, Yattendon, Berkshire, who for Recording Britain had an office in the National Gallery. Sue Palmer entered the Slade School of Fine Art in 1931, leaving in 1936, re-entering it from 1945–8 to study history of art. William Townsend makes several references to Palmer in his published Journals covering the early Slade years, referring to her attractiveness and “innocent and engaging vivacity” and to her being painted by Anthony Devas.

Text source: 'Artists in Britain Since 1945' by David Buckman (Art Dictionaries Ltd, part of Sansom & Company)


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