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A Female Saint in Yellow

Image credit: The National Gallery, London

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The upper layers of paint in the draperies are faded so that you can see the underdrawing – or sinopia – beneath. Traces of paint reveal that the draperies were originally blue. The figure’s pose – she recoils in fear, drawing her hand to her breast – is similar to images of the Virgin receiving the news of that she would bear the Son of God at the Annunciation. This fragment of fresco once formed part of the border decoration of a large wall painting in the chapter house of San Francesco, Siena. It was removed in the nineteenth century and purchased by the archaeologist and National Gallery trustee, Austen Henry Layard. As an example of the work of the workshop of the Sienese painter Pietro Lorenzetti, who, with his brother, Ambrogio, decorated several important religious and public buildings in Siena with frescoes, it was a desirable object despite its poor condition.

The National Gallery, London

London

Title

A Female Saint in Yellow

Date

probably 1330-9

Medium

Fresco

Measurements

H 39.4 x W 27.9 cm

Accession number

NG3072

Acquisition method

Layard Bequest, 1916

Work type

Painting

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Normally on display at

The National Gallery, London

Trafalgar Square, London, Greater London WC2N 5DN England

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