How you can use this image
This image can be used for non-commercial research or private study purposes, and other UK exceptions to copyright permitted to users based in the United Kingdom under the Copyright, Designs and Patents Act 1988, as amended and revised. Any other type of use will need to be cleared with the rights holder(s).
Review the copyright credit lines that are located underneath the image, as these indicate who manages the copyright (©) within the artwork, and the photographic rights within the image.
The collection that owns the artwork may have more information on their own website about permitted uses and image licensing options.
Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available.
Add or edit a note on this artwork that only you can see. You can find notes again by going to the ‘Notes’ section of your account.
This portrait of the artist’s wife Gladys Hoskins (1990–1979), known as Froanna, was made in America where Lewis spent the war years. The artist bought the distinctive blue paper in a drugstore and the unusual support perhaps inspired his use of coloured chalks. With the exception of the ornate turban, the artist restricts himself to bold lines and a few areas of shading. Nonetheless, he captures a sense of strain and intensity in the sitter, enhanced by the lack of a setting.
pencil & coloured chalks on blue paper
H 48.3 x W 31 cm
purchased with the assistance of the Art Fund and the Victoria and Albert Museum Purchase Grant Fund, 2006
Drawing & watercolour