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© the estate of Robert Rauschenberg/VAGA, New York and DACS, London 2017. Photo credit: Tate

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Rauschenberg began making silkscreen paintings in 1962. He would screen-print images from books and magazines, along with his own photographs, onto the canvas, then apply painterly brushstrokes reminiscent of Abstract Expressionism. His intention was 'to escape the familiarity of objects and collage'. Like all these works, Almanac has no specific meaning or narrative. The images are organised in a loose, poetic manner, creating an impression of visual flux that allows the viewer to free-associate.


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More information




Oil, acrylic and silkscreen on canvas


H 245 x W 153.5 cm

Accession number


Acquisition method

Presented by the Friends of the Tate Gallery 1969

Work type


Inscription description

date inscribed


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