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A woman reclines in glowing white, her posture a combination of relaxed elegance and studied, thoughtful tension, pressing together index finger and thumb on each hand. Although we have a full view of her face, she is looking outside the field of the canvas – dark eyes staring into the middle distance. Whilst Euan Uglow's studies of nudes are among his best-known works of the 1970s, the portrait Georgia has both a tonal quality and an engagement with the subject that sets it apart from the colder objectivity of the nudes.
oil on canvas
H 83.8 x W 111.8 cm
purchased from Browse and Darby, 1983