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Notes
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The subject is taken from the New Testament (Mark 6: 22–9) and shows Salome being presented with the head of Christ’s cousin, Saint John the Baptist. The swarthy executioner dangles the severed head by its hair above a dish; Salome turns away as if she cannot bear to look at the prize King Herod granted her for her dancing. She seems to gaze toward someone outside the picture – perhaps her mother, who ordered her to ask Herod for the Baptist’s head. The figure of Salome is based on a now lost composition of Leda and the Swan by Leonardo, and the strong contrast of light and shade is also influenced by him. The pinkish red of Salome’s robe and her flesh tones have faded, affecting the contrast between the complexions of the executioner, Salome and the severed head.
Title
Salome
Date
probably about 1510-30
Medium
Oil on poplar
Measurements
H 68.6 x W 57.2 cm
Accession number
NG3930
Acquisition method
Mond Bequest, 1924
Work type
Painting
The National Gallery, London
Trafalgar Square, London, Greater London WC2N 5DN England
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Head of a Woman The Fitzwilliam Museum -
Salome The National Gallery, London -
Christ carrying his Cross The National Gallery, London -
The Last Supper Royal Academy of Arts -
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Virgin and Child with a Lily The Courtauld, London (Samuel Courtauld Trust)