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Animals and plants
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Arts and entertainment
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Home and family
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Ideas and emotions
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Literature and fantasy
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Natural world
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People
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Power and politics
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Religion and belief
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Science and knowledge
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Sport and leisure
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Towns and buildings
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- Townscapes
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Transport and industry
- Aircraft (transport)
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- Ships and boats
War and conflict
- Aircraft (war and conflict)
- Armour and uniform
- Battle scenes
- Buildings and fortifications
- Civilians
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- Servicemen and women
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Work and business
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- Emergency services
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- Finance
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- Office work
- Shops and markets
- Trade and commerce

Abstract Expressionism
Abstraction
Aestheticism
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Art Nouveau
Barbizon School
Baroque
British Impressionism
Caravaggism
Caricature
Celtic Revivalism
Constructivism
Cubism
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Early Renaissance
Expressionism
Fauvism
French Impressionism
French Realism
Futurism
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High Renaissance
Impressionism
Kitchen Sink
Mannerism
Minimalism
Neoclassicism
Neo‐Impressionism
Northern Renaissance
Op Art
Orientalism
Photorealism
Pointillism
Pop Art
Post‐Impressionism
Pre‐Raphaelitism
Renaissance
Rococo
Romanticism
Scottish Colourists
Social Realism
Suprematism
Surrealism
Symbolism
Vorticism

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Showing 25,836 artworks

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‘Night, most glorious night, thou wert not made for slumber’ 1874 John MacWhirter (1839–1911)

‘Night, most glorious night, thou wert not made for slumber’ 1874 Royal Holloway, University of London
‘Lady in Blue’ (Lady Berwick) 1933–1934 Walter Richard Sickert (1860–1942)

‘Lady in Blue’ (Lady Berwick) 1933–1934 National Trust, Attingham Park
Église Notre Dame des Arts, Pont de l'Arche (View of the Nave Looking Towards the Choir) c.1897–1898 John Lavery (1856–1941)

Église Notre Dame des Arts, Pont de l'Arche (View of the Nave Looking Towards the Choir) c.1897–1898 National Galleries of Scotland, Scottish National Gallery
École communale 1932 Tristram Paul Hillier (1905–1983)

École communale 1932 Alfred East Art Gallery
Échappée sur la rivière, Vernon (View of the River, Vernon) 1923 Pierre Bonnard (1867–1947)

Échappée sur la rivière, Vernon (View of the River, Vernon) 1923 National Galleries of Scotland, Scottish National Gallery of Modern Art
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[title not known] published 1818 Robert Smirke (1753–1845)

[title not known] published 1818 Tate
[Still Life: Lemons on a Plate] 1948 William Scott (1913–1989)

[Still Life: Lemons on a Plate] 1948 National Galleries of Scotland, Scottish National Gallery of Modern Art
Zrání (High Summer) 1938–1940 Oskar Kokoschka (1886–1980)

Zrání (High Summer) 1938–1940 National Galleries of Scotland, Scottish National Gallery of Modern Art
Zoraida, Discovered by Her Father, Agimorato, in the Arms of Rui Pérez de Viedma Thomas Stothard (1755–1834)

Zoraida, Discovered by Her Father, Agimorato, in the Arms of Rui Pérez de Viedma Victoria and Albert Museum