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The Virgin and Child with Saints Michael and Veronica and Two Donors

Image credit: The National Gallery, London

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The Virgin Mary sits in the countryside outside a distant town, holding the naked, wriggling Christ Child on her lap. Archangel Michael is identified by his name inscribed on the neckline of his robes. Saint Veronica holds the veil on which the image of Christ’s face was miraculously imprinted when he passed her on his way to be crucified. The two unidentified donors of the altarpiece, probably husband and wife, may have been named after the saints who present them to the Virgin and Child. The pose of the Virgin and Child occurs frequently in the work of Bissolo and was probably invented by Giovanni Bellini in about 1500. It seems to first appear in the Madonna and Child with a Patron by Giovanni Bellini and workshop, recently in the collection of Barbara Piasecka Johnson in Princeton, for which Bissolo painted the donor portrait.

The National Gallery, London

London

Title

The Virgin and Child with Saints Michael and Veronica and Two Donors

Date

probably 1500-25

Medium

Oil on wood

Measurements

H 62.2 x W 84.1 cm

Accession number

NG3083

Acquisition method

Layard Bequest, 1916

Work type

Painting

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Normally on display at

The National Gallery, London

Trafalgar Square, London, Greater London WC2N 5DN England

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