Logan explained how his love of decoration evolved

'I trained as an architect, I’m a self-taught artist and you have to remember for anyone who has never done architectural training but when I was doing it in the sixties it was all straight lines in black-and-white and very, very constraining. I’ve always loved very elaborate things, so when I started to make things and began a life as an artist, I just collected things and I love what I would call, or what Duggie Fields my friend would call, maximalism, not minimalism, that’s gone and dead, we’re ‘maximalists’ which means really, one layer on top of another.'

Logan has said about his mirrored portraits

'The materials I use really come from all over the world. I’ve been working as a sculptor now in glass and mirror for over thirty-two years. So you find a lot just arrives, but there’s a thin glass that I get from Thailand which they use on the temples and then there’s painted glass as well. And then I work with a man in East End of London who also coats glass for me and the mirror is much thinner than normal mirror because obviously you don’t make mirror thin or otherwise it would smash which is what people don’t want, which I support very much.'

'Working with Lynn Seymour was very, very close, with all my sitters really I believe very much ... as I always say to all of my sitters: ‘I am going to take part of your soul’. So for me it is a collaborative process whereby you both work together. Say for instance I might be working on the nose and it might have grown too long and I’ll say to Lynn “Oh, what do you think?”, “Oh” she says “too long!” so I’ll chop it off. Then when later on we were doing the metalwork, I’ll never forget Lynn, we were bending the metal, and she suddenly said “No, she suddenly said “No, no this drape isn’t quite right!” and she leapt on the piece and pulled it and smashed it, so yes it was truly a collaborative process.'

In 1991 Logan and his partner Michael Davis opened the Andrew Logan Museum of Sculpture, in a redundant space in Berriew in Powys, designed by Davis. It is, as described on Logan's own website

'a delightful and absorbing experience that combines entertainment, sentiment, humour and fantasy in a manor that is suitable for all ages.'